

🎊WELCOME TO THE KLASSIC NOTE SONG AWARDS 2024!!🎊
I'm Aozaki Shouhei, Klassic Note's only listener and judge. It's that time of the year again, where I sit down in front of my PC at the end of the year to commend and rank the songs I listen over the year. This year has definitely been different, as I desperately search for songs to listen to, often picking up from older releases as much as I'm also into the new artists that emerge from the bushes. Since not like the artists I've followed and liked over the years did any better, but as some of them came back to deliver great melodies with their new band structures, I do hope that moving forward we will see more from them. On the other hand, I have been trying to give new and prominent artists which do have staying power for some of them so I will look forward to more of them in the future. Meanwhile, as I continue to branch out even further towards styles of my interest, being more strict in reviewing releases and avoiding subpar songs here and then, as I have always did. I am still, or even its style, following our new motto of "Searching For The New Classic", and just like every other year, it is exciting as it is challenging, to say the least.
As a start, I state this every year and I will state it again, the results below will never fully represent the many songs I listen to for the year. Past year songs are typically suppressed since recommending them is not as trending as the ones who are presented for this year, so I will withhold in promoting them, though when they are, it's always because they have made more than impact in my life. New artists are still sprouting as they seem, sadly being critical of them unlike how the earlier artists I listen to, would not help in their cause, but as to stay with my motto and criticism, I will continue to find ones that I like, if they still stand to impress. Overall, this is just a fraction of what is to come, and what I think of them songs and artists for the year, so do take note on that.
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The results below will be split into six segments, with the first two covering statistics and analysis of the songs given this year and how they fare. Diagrams will be shown in some segments to give a better overall picture rather than just displaying tables of data. Other segments include commending artists and songs that have stood out among the crowd, and awards for recipients who deserve more attention. Finally, I'll conclude on with The Top 20 and an audio edit of them by yours truly, so to give you a better idea of what songs truly represent the year around when it comes to music I listen for the year.
(Results finalised on 31/12/2024)
Note: For a detailed explanation of the results, click/tap over the minimized detail bars you see throughout the post, like the one above.
[Click here to skip to "The Top 20"]
統計 Klassic Note Statistics
This year, I have given a total of 230 songs over the past 12 months, a stark decrease over last year. I have still been spending more time on each release longer compared to past years in recognition of their efforts even listening to them the second time in a year, but I ended up finding more comfort in giving familiar artists instead of new artists I picked up. The Internet as usual has helped with exposure and promotion of music, and with music streaming services it has become easier than ever to give any recommendation I see them on YouTube and/or Apple Music, hopefully providing than enough bandwidth to listen to newly found artists and their new songs too. Sadly, I also foresee that I get stuck on artists coming back from hiatus, impressing to different extent, and I will see that going into the new year too, which hopefully will deliver much more new stuff instead of living in the past, which is what I try to avoid.
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Firstly, I break down the songs to who sings them and sort them by artist composition and gender, giving a good look into a usual heavy bias of female solo artists singing good songs, also known as the Vocals Popularity Survey. For this year, Female Solo vocals have risen to the yearly average of 1.3 to 1 against Male Solo vocals, which shows a nice balance of mainstream artists against female solo artists for the year.
Then, we have the Song Rating Integrity Survey. Initially taken as an experimental analysis in Klassic Note to fix my biased opinions of what is a good song, now it is used as a guide to follow past years judgement criteria so my judgement don't go too far off the perpendicular. As I give further detailed analysis to the many songs defaulted to the generic 4-star category, this survey then is an attempt to give a better insight into how most of the songs are rated. It is also became the new benchmark in recent years in pushing me to give more 5-star songs which were then based on early impression which is not possible now with maturity of my song judgement bias. As you can see, there is higher tendency to give more 4-star songs as songs are rated slightly above average instead of promoting them to 5-stars.
Thirdly, we have the generic statistics of the songs of the year. These include language (for those with a vocalist), year of release (old songs can appear in the list as far as 2005 for the year), Anime songs (because when I say "sometimes" on Twitter I meant this) and B-side analysis for singles which is a direct representation of proving that songs which are good need not be their release's topic songs, and we should give more criticism and praise to songs not under intentional spotlight.
Last but not least, we have the Song Appetite Report. The chart represents how many songs I've given every month, and show peak and trough periods typically based on release month dependent on the music industry or periods of time where I just want to give more or less songs. I would say despite the difficulties and therefore delays in releasing new songs this particular year, many still were released in due time, and therefore did not miss much in terms of leaving an impression in Klassic Note, and I am thankful for that. Exceptions do apply though, where certain releases are still out of reach with the return of love event-only releases.
Here is how the new songs fared this year:
>> Female Solo is the most popular vocal style in the songs of 2024.
>> Female Solo to Male Solo Ratio: 1.556
>> Female Solo to Male Solo Ratio: 1.556
>> 4 Stars is the most common rating in Klassic Note 2024.
>> Song Integrity Survey reveals that 4C (Average) is the most common rating.
>> Song Integrity Survey reveals that 4C (Average) is the most common rating.
Language | English | Japanese | All |
---|---|---|---|
Songs (%) | 3.75% | 96.52% | 230 Songs |
>> Japanese is the most popular language in songs of 2024.
Year of Release | 2007-2019 | 2020 | 2022 | 2023 | 2024 | All |
---|---|---|---|---|---|---|
Songs (%) | 6.09% | 0.87% | 4.35% | 5.65% | 83.04% | 230 Tracks |
>> 2024 is the most common year of release in songs of 2024.
Song Type | Anime Theme Songs | Character/Insert Songs |
---|---|---|
Songs (%) | 0.438% | 0.438% |
>> Anime songs are 0.870% of 2024 songs, mostly on theme songs.
Total Singles Released 2024 | 58 | ||
---|---|---|---|
Total Tracks | 1 | 2 | 3 or more |
Singles | 24 | 11 | 23 |
Total Considered in List | 5 | 11 |
>> 16 out of 34 singles in 2024 are considered besides A-side.
>> 6 of all singles released are in Klassic Note Review 2024.
>> 6 of all singles released are in Klassic Note Review 2024.
>> Average Monthly Growth: 19.2
>> Top Active Months: Sept (+27), Oct (+27)
>> Top Active Months: Sept (+27), Oct (+27)
歌の一日 Song of The Day
Every day is unique as it is special; Songs that surface in our minds will set us in a mood and drive our everyday lives. From waking up to going to work, arriving home and going to sleep, there's always a different melody that will pop up in my mind from listening to the huge amount of songs within and in past years. I would confidently say that my mood for the year could be summarised with the songs I'm listening to every single day.
And that's why we have a tie this year so congrats ZuttoMayo for entering this with the one song which became the most memorable Songs of the Year in 2024!!
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The first two tables below show what are the most popular songs I've listened for the year and for each month. The last two tables show the most popular songs to wake up and sleep to to give a different perspective as to how they potentially can feel if you start and end the day with maybe. Criteria are subject to conditions in sleeping habits, mood, and mostly due to songs I've listened recently during certain times of the day.
Starting from 2019, Song of The Day has been transformed into a rank-based system, where every mention pushes you up one rank so that rank sharing will make sense. The results shouldn't show much of a difference though, but it will more accurately reflect on the position of songs within.
Starting from 2024, multiple Songs of The Day have been reintroduced ever since the start of the Song Awards 15 years ago, defining vital points of the day where if criteria are met (eg. without listening to songs, songs will appear in one's mind), they are worthy of record.
TOP SONGS OF THE YEAR 2024
Rank | Artist - Song Title |
---|---|
10 | Zutto Mayonaka de Ii no ni. - Uso Janai |
9 | Asakura Momo - Sweet Essence |
8 | Hanazawa Kana - It's My Thing |
Chilli Beans. - School | |
7 | Yoru no Honki Dance - DYWD? |
6 | Polkadot Stingray - BLACK BOX |
Kitou Akari - Canvas | |
First Love is Never Returned - Deadline | |
SCANDAL - Fanfare | |
Amamiya Sora - JACKPOT JOKER | |
eill - Kakumei Zenya | |
Ogura Yui - Kimiiro no Kiseki | |
SHE'S - Over You | |
Asakura Momo - Shiawasette Kaite | |
Yoru no Honki Dance - Vivid Beat | |
Ogura Yui - Wild Kitty |
TOP SONGS OF EACH MONTH
2024 | Artist - Song Title | Rank |
---|---|---|
Jan | No Buses - Slip, Fall, Sleep | 3 |
Feb | SHE'S - Over You | 4 |
Mar | Asakura Momo - Sweet Essence | 6 |
Apr | Ogura Yui - Kimiiro no Kiseki | 4 |
May | mol-74 - BACKLIT | 3 |
Asakura Momo - LIBRA | ||
Jun | Otoha - Kyojinsha no Parade -The Parade of Battlers- | 2 |
Jul | Zutto Mayonaka de Ii no ni. - Uso Janai | 5 |
Aug | Kitou Akari - Canvas | 3 |
Soko ni Naru - re:re:realize | ||
Sep | First Love is Never Returned - Deadline | 2 |
Dannie May - Gu-Gu-Gu- | ||
Oct | eill - Kakumei Zenya | 5 |
Nov | SpecialThanks - Chikyuu Boueigun | 2 |
Yabai T-Shirts Yasan - Suko. | ||
Dec | Homecomings - slowboat | 3 |
TOP SONGS TO START THE DAY
Rank | Artist - Song Title |
---|---|
7 | Zutto Mayonaka de Ii no ni. - Uso Janai |
6 | Asakura Momo - Shiawasette Kaite |
5 | Polkadot Stingray - BLACK BOX |
First Love is Never Returned - Deadline | |
Hanazawa Kana - It's My Thing | |
SHE'S - Over You | |
Chilli Beans. - School | |
Asakura Momo - Sweet Essence | |
Yoru no Honki Dance - Vivid Beat | |
Ogura Yui - Wild Kitty |
TOP SONGS TO END THE DAY
Rank | Artist - Song Title |
---|---|
4 | Yoru no Honki Dance - DYWD? |
Taiyou to Odore Tsukiyo ni Utae - Otowa | |
Asakura Momo - Sweet Essence | |
3 | Suchmos - A.G.I.T. |
Kodama Hikari - Charge! | |
Hanazawa Kana - It's My Thing | |
eill - Kakumei Zenya | |
Uesaka Sumire - Kitare! Akatsuki no Doushi | |
Natsukawa Shiina - Like Life Rhyme | |
Earphones - Minna Genki ka | |
SPYAIR - Orange | |
Chilli Beans. - School | |
SoundOrion - Sunny Canvas | |
Zutto Mayonaka de Ii no ni. - Uso Janai | |
Homecomings - slowboat |
リリース上位 Single & Album Rankings
Klassic Note may be all about the songs, but what is with songs if they aren't released in some form? I say that though, but with the rise of digital singles and how music is distributed more often through digital platforms in smaller doses instead of coming up with physical releases, it's always in my comfort to listen to albums every once in a while then be committed to their constant promotions. Many releases performed better than ever as I spend more time with them this year, and I continue to give more songs beyond the one or two title songs with a music video, sometimes even without. Many artists are going for more than one good album in the year with the world opening up, and we do see this year some are adding a couple of singles and/or new songs from time to time within the year. Regardless of their approach, I will still give them due attention as long as I know of them. Limited Edition Only singles are great but sadly does not meet my requirement of Review, but I will still talk put them in just because they are worthy of mention.
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In Klassic Note, top singles are determined by (1) whether they are in Klassic Note Review ie. all songs of the single have been given and is not digital only release and (2) how good they fare in impression, so ratings come to place. Details for giving these singles shall not be discussed further since there is The Klassic Note Review for your reference. Top albums are determined mostly by how many songs have been given in it, so best album have a natural advantage if I've been listening to the artist for years, and mini-albums tend to get an edge on these due to low song count too but they have been put lower in priority to allow full length albums to shine.
From Klassic Note 2024, I will also annotate special features of these releases (Limited Edition Only, Digital Only) in order to better represent their prominence in the ranks, and that smaller releases in albums, for example, will get smaller priority over full album which require more effort (subject to the amount of new songs added) so the latter will be considered first.
Congratulations to Soko ni Naru's single for Anime "Majou to Yajuu" and Asakura Momo's 4th album for winning top releases for Klassic Note 2024!!
Top 10 Singles
Rank | Recipient |
---|---|
1 | Soko ni Naru - Soumonka |
2 | Natsukawa Shiina - "later" |
3 | Kodama Hikari - Charge! |
4 | Asakura Momo - Sweet Essence |
5 | miwa - Soredemo Tada |
6 | Chilli Beans. - Daydream |
7 | Otoha - Kyojinsha no Parade -The Parade of Battlers- |
8 | eill - Pre-Romance / Finale. |
9 | wacci - Ai wa Kusuri |
10 | Ogura Yui - Kimiiro no Kiseki |
Top 10 Albums
Rank | Recipient |
---|---|
1 | Asakura Momo - ChouChou |
2 | Hanazawa Kana - Tsuioku to Yubisaki |
3 | w.o.d. - Ai |
4 | nasuo - nasuo Planet |
5 | Laureley - Meritocracy |
6 | miwa - 7th |
7 | w.o.d. - 1994 |
8 | SSGIRLS - Sing a SonG |
9 | Soko ni Naru - Kaigan Shoumei |
10 | SHE'S - Memories |
表彰 Commendations
In Klassic Note there are Awards; And then, there are Commendations. Commendations are thing that are worth mentioning but not necessarily in competition since it can be unique in circumstance. That, or I want to credit them as many of them as possible and it doesn't exactly qualify as a regular award. Many listed may be repeats, but this is the place where I give proper recognition to certain things that stood out among the others.
Congrats to Dannie May for giving me music videos to remember they just stand out so much with all the standard stuff and above the animation-driven industry which has been an uprising recently, it's great to see something different. I'm also welcoming back Aqua Timez and Suchmos not with open arms but with an open mind, which I hope will translate to them releasing new and great songs to remember.
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Commendations are generally given to topics which stand out on their own with unique features (eg. terrible English, same song title) known as Song Commendations, releases that I reviewed and/or are outstanding known as Release Commendations, artists which may or may not be singing this year also known as Artist Commendations, and honours for (promotional) music videos which excelled in impressions also known as Video Commendations.
Instead of giving them as awards, Klassic Note here compliments videos which stand out better than their music, sometimes better than not, in order to give better representation and thus impression to their audio listeners. And so, I commend and also criticise (a bit) on those, as you can see below too. Many of the music videos can be found online too, so be sure to check those out for yourself. I'll post the links to get you started.
Title | Recipient |
---|---|
"English Can Be Better" | Homecomings |
"The Comeback" | Aqua Timez |
Suchmos | |
"Single Order" | Soko ni Naru - Soumonka |
Kodama Hikari - Charge! | |
Natsukawa Shiina - "later" | |
Asakura Momo - Sweet Essence | |
miwa - Soredemo Tada | |
sphere - Shining days, shining stars! | |
"Lasting Tune" | Kroi - Juden (2022) |
Hanazawa Kana - GSSP (2022) | |
Ueda Reina - Kingyohime (2022) | |
Nisshoku Natsuko - Clothoid Kyokusen (2022) | |
MIMiNARI - Ienai feat.asmi (2022) | |
Ryokuoushoku Shakai - Michi wo Yuke (2022) | |
Hanazawa Kana - GSSP (2022) | |
Ueda Reina - Kingyohime (2022) | |
Nisshoku Natsuko - Clothoid Kyokusen (2022) | |
MIMiNARI - Ienai feat.asmi (2022) | |
Ryokuoushoku Shakai - Michi wo Yuke (2022) | |
Hanazawa Kana - GSSP (2022) | |
Ueda Reina - Kingyohime (2022) | |
Nisshoku Natsuko - Clothoid Kyokusen (2022) | |
MIMiNARI - Ienai feat.asmi (2022) | |
Ryokuoushoku Shakai - Michi wo Yuke (2022) | |
MIMiNARI - Ienai feat.asmi (2022) | |
Ryokuoushoku Shakai - Michi wo Yuke (2022) | |
"Music Worth Mentioning" | SPECIAL OTHERS ACOUSTIC - California |
"English Song of the Year" | Middle Kids - Your Side, Forever |
"Cover Song" | ClariS - Kaze wa Akiiro |
"PV of the Year" | Dannie May - Kaokao |
"Awesome PV" | wacci - Wasuretai |
"Impressive PV" | Joint Beauty - Tokyo Friday Night (feat.Hanazawa Kana & Mori Calliope) |
"Fanservice PV" | Amamiya Sora - JACKPOT JOKER |
Kitou Akari - Canvas | |
"Great PV" | SpecialThanks - Chikyuu Boueigun |
"Quirky PV" | Dannie May - Warawaseraa |
"Neglected PV" | fhana - Tenshi-tachi no Uta |
"Plain Boring PV" | SHE'S - Alright |
"Best Anime Theme Production" | Otoha - Kyojinsha no Parade -The Parade of Battlers- [Kuroshitsuji: Kishuku Gakkou-han" OP] |
賞 Awards
One of the most important things that built the foundation of this Song Awards are of course, the Awards themselves. They have also been historically the toughest to decide every year apart from the Top 20 itself, which shows how much thought is put into figuring out the distinct feels of all the songs I give for the year, and how important they are compared to all of the others above. As with previous years, it has always been a challenge to get the right songs to fit the Awards and what they should represent, and as much as I try I still hardly feel for some of these songs which are worthy of their titles, especially pertaining to certain emotions and moods. Regardless, I have made my decision, so here are the results.
Congratulations to Dannie for THE ARTIST award because they have only been striking on me the moment they arrived, and I could not regret giving the songs Kitou Akari has shared a chance, and here we are two albums later. w.o.d. wins THE CONTRIBUTOR as I continue to explore their style of songs that I have grown to love, and Soko ni Naru as THE NEWCOMER is just proof that their strong style can find a place to stay in my music library. That much, I will praise them for.
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The Award titles mean exactly unless stated otherwise, which are as follows:
- THE CHARASON represents all songs from the Anime and Game genres so to give more songs recognition on how good and/or diverse they are (CV refers to "Character Voice" ie. the actual voice actor behind the role)
- THE IDOLISM awards idol songs (sung by voice actress who became solo artists mostly) which have been on the rise and the award goes to the one with judgement possible to be independent of usual criteria eg. melody, music style
- THE INSPIRATIONAL awards songs which spark motivation and/or creativity for me, encouraging and pushing me along in life
- THE NUMBER ONE SONG OF THE YEAR is based on SONG OF THE DAY results, and the Award is presented to the best here
- THE SINGLE and THE ALBUM are based on RELEASE RANKINGS, and the award is presented to the best of each category here
The nominees are excluded from the list due to presentation space constraints.
Title | Recipient |
---|---|
THE ARTIST 2024 (JAPANESE CATEGORY) | Dannie May |
THE NEWCOMER 2024 | Soko ni Naru |
THE CONTRIBUTOR 2024 | w.o.d. |
THE CHARASON 2024 | [No winner] |
THE IDOLISM 2024 | Amamiya Sora - JACKPOT JOKER |
THE EMOTIONAL 2024 | wacci - Wasuretai |
THE ROMANTIC 2024 | Ogura Yui - Kimiiro no Kiseki |
THE LIVELY 2024 | Soko ni Naru - Haikei, Reimei wo Shitte |
THE INSPIRATION 2024 | SPYAIR - Orange |
THE LONGEST 2024 | Homecomings - Air |
THE SHORTEST 2024 | AliA - NewGame |
THE MUSIC 2024 | [No winner] |
THE NUMBER ONE SONG OF 2024 | Zutto Mayonaka de Ii no ni. - Uso Janai |
THE ALBUM 2024 | Asakura Momo - ChouChou |
THE SINGLE 2024 | Soko ni Naru - Soumonka |
20曲上位 The Top 20
Last but not least, we have the song rankings. Every year, I try my best to showcase Klassic Note in the most diverse way possible, hopefully with a good balance of what I truly love and representation of what the year means for Klassic Note in 2024. And in these songs I recommend, many have left an impression, some I cannot miss putting them in just because, and others I think they are genuinely worth a mention. It was hard to come up with the list as with ever year, as there have been many dramatic changes to when I initially thought of this, but now that the results are out, I'm not going to think too much into it and hope this is adequate to show what Klassic Note 2024 is after a year in the making.
Congratulations to SHE'S for finally taking the top spot after all these years, the competition has been beat down by tradition and emotion, as this shall be the #1 song in Klassic Note! This year has been a bumpy ride, but SHE'S did make their point and their album clear in emotion. I did compensate that with a more lively and positive list of tunes to remember, and that will still be the mood going forward, thought it might be getting more neutral over the past year.
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In Klassic Note, The Top 20 will include certain conflicts in rank number as some of the songs have to share the same rank due to my lack of criteria to differentiate between them, but is also a ingenious method to show certain trends or similarity within topics and timeframes, to a smaller extent. So do not be surprised to see up to 25 songs every year on this supposedly "Top 20" list depending on my preferences.
Below is an audio preview with timestamps of The Top 20 of Klassic Note 2024, for your listening pleasure. (Tip: Click on any row on the table above to skip to that track!)
Here are my thoughts about this year's Top 20 as elaborated from above, in a nutshell:
- My intention from the beginning was already to not put Dannie May as the number 1 song even though I think they deserved it ever since they crashed into Klassic Note in the middle of the year thanks to Kitou Akari's sharing of her selection of songs from half a year ago. Sorry guys, maybe try harder next year. So the first eventually went to SHE'S because I still admire them in delivering classic tunes at a time where everyone is trying to innovate and thus eventually suffer from writing melodies that just aren't fluent, if that makes sense.
- Homecomings and Eve were latest contenders to be considered for the list mainly because the former delivered an emotional enough song I would like to include them, and then Eve impressed me more than one with Anime theme songs, so there is no way I won't give any of them a mention.
- The hardest parts of sorting out the rank was (1) whether to put the male artists higher than the female artists in the ranks and it is also mainly because (2) to put the female artists higher since they are even harder to sort among themselves as most of them got THE ROMANTIC award mention and this likely will be a reflection of that, and (3) the female bunch are solo artists while the male ones are mainstream. So it's quite literally a showdown between mainstream and idolism, per se. I ended up putting solo artists above instead because many of the mainstream artists didn't deliver melodies to remember especially Omoinotake who I would argue had a good song but it didn't stick so it was just here as a mention from how good they were last year.
- I ended up giving fhana some credit just because they really delivered a great opening theme song for Anime this year, and SoundOrion which is disbanding by the end of this year is here because I had a great ending theme song to remember. They deserve a place no matter how high it was, so you are welcome.
- I struggled to give MusiRay'n artists this year though Amamiya Sora was an easy pick, but to put it above for example Hanazawa Kana who delivered a slapping title song for her album back in April might be giving the former too much favours, so I had to shuffle them around. This likely affected Kodama Hikari and more so Asakura Momo even on the award selections because I had to balance these out in order to not praise the voice actor company's talents too much in comparison to others who have also excelled.
- Soko ni Naru and eill were surprises I didn't expect so it was hard thinking of where to put them as they definitely deserve more than a mention now that I have heard much more from them. They ended up middle of the ranks where lower than them would be just worth mentioning, and above them means they need to have better melodies of which I think they are just on the weak side in competing with the others I selected for the list.
- miwa-san was actually the last minute decision as I nearly forgot that I just reviwed a single from her back in March and this song was as straightforward as it was touching, only missing the mark with its B-side. I did give it proper recognition though this is definitely not as great as what she has delivered last year with the seasonal songs.
And that is all for Klassic Note this year; I hope you enjoyed looking through these results, giving some of them as listen, and enjoyed as much as I did. If you were here to give yourself a chance and listen to the above snippet of what I've listened to in 2024, you're welcome for the glimpse into my music listening experience for the year. If you have given any of them a listen afterwards - even just one of them - it will make me happy. The legacy of Klassic Note has moved ahead once again and with the world outside changing in perspective, I'm still happy to be able to share my thoughts about music every year, how much I have experienced in the world of music by the week, and dedicating the time and dedication to make all of this happen once again. With this, I conclude my recognition for artists, releases and songs I've listened over the year before I continue my journey into the new year.
I will see you again and have a happy new year! And I will ever, as I have always been I will be "Searching For The New Classic".
- Aozaki Shouhei, on the Klassic Note
DISCLAIMER
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