

🎊WELCOME TO THE KLASSIC NOTE SONG AWARDS 2025!!🎊
I'm Aozaki Shouhei, Klassic Note's only listener and judge. It's that time of the year again, where I sit down in front of my PC at the end of the year to commend and rank the songs I listen over the year. This year was a year of worry for mainstream artists, with the return of many long lost artists without much reason, to current regulars not performing up to my expectations. But with Anime songs making a return, and a boost from the VTuber music industry, I think we are still standing at our 18th year coming. I am still following the motto of "Searching For The New Classic" though, but just like every year that came before it, it has only gotten more challenging with more experience in listening to more of them.
As usual, the results below do not fully represent the many songs I listen to for the year. Past year songs are typically suppressed since recommending them is not as trendy as the ones who were released this year, so I will withhold in promoting too many of them even though some have made more than some impact in my life for the past year. Being critical of new artists is still as bad for them as I am of regulars anyways, but that will not stop me as I will continue to find songs that I like over artists, even if they still stand to impress.
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The results below will be split into six segments, with the first two covering statistics and analysis of the songs given this year and how they fare. Diagrams will be shown in some segments to give a better overall picture rather than just displaying tables of data. Other segments include commending artists and songs that have stood out among the crowd, and awards for recipients who deserve more attention. Finally, I'll conclude on with The Top 20 and an audio edit of them by yours truly, so to give you a better idea of what songs truly represent the year around when it comes to music I listen for the year.
(Results finalized on 31/12/2025)
Note: For a detailed explanation of the results, click/tap over the minimized detail bars you see throughout the post, like the one above.
[Click here to skip to "The Top 20"]
統計 Klassic Note Statistics
This year, I have given a total of 232 songs over the past 12 months, similar to the count last year. I have still been spending more time on each release longer compared to past years in recognition of their efforts even listening to them the second time in a year, but I ended up finding more comfort in giving familiar artists instead of new artists I picked up. The Internet as usual has helped with exposure and promotion of music, and with music streaming services it has become easier than ever to give any recommendation I see them on YouTube and/or Apple Music, hopefully providing than enough bandwidth to listen to newly found artists and their new songs too. Sadly, I also foresee that I get stuck on artists coming back from hiatus, impressing to different extent, and I will see that going into the new year too, which hopefully will deliver much more new stuff instead of living in the past, which is what I try to avoid.
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Firstly, I break down the songs to who sings them and sort them by artist composition and gender, giving a good look into a usual heavy bias of female solo artists singing good songs, also known as the Vocals Popularity Survey. For this year, Female Solo vocals have risen to the yearly average of 1.3 to 1 against Male Solo vocals, which shows a nice balance of mainstream artists against female solo artists for the year.
Then, we have the Song Rating Integrity Survey. Initially taken as an experimental analysis in Klassic Note to fix my biased opinions of what is a good song, now it is used as a guide to follow past years judgement criteria so my judgement don't go too far off the perpendicular. As I give further detailed analysis to the many songs defaulted to the generic 4-star category, this survey then is an attempt to give a better insight into how most of the songs are rated. It is also became the new benchmark in recent years in pushing me to give more 5-star songs which were then based on early impression which is not possible now with maturity of my song judgement bias. As you can see, there is higher tendency to give more 4-star songs as songs are rated slightly above average instead of promoting them to 5-stars.
Thirdly, we have the generic statistics of the songs of the year. These include language (for those with a vocalist), year of release (old songs can appear in the list as far as 2005 for the year), Anime songs (because when I say "sometimes" on Twitter I meant this) and B-side analysis for singles which is a direct representation of proving that songs which are good need not be their release's topic songs, and we should give more criticism and praise to songs not under intentional spotlight.
Last but not least, we have the Song Appetite Report. The chart represents how many songs I've given every month, and show peak and trough periods typically based on release month dependent on the music industry or periods of time where I just want to give more or less songs. I would say despite the difficulties and therefore delays in releasing new songs this particular year, many still were released in due time, and therefore did not miss much in terms of leaving an impression in Klassic Note, and I am thankful for that. Exceptions do apply though, where certain releases are still out of reach with the return of love event-only releases.
Here is how the new songs fared this year:
>> Female Solo is the most popular vocal style in the songs of 2025.
>> Female Solo to Male Solo Ratio: 1.482
>> Female Solo to Male Solo Ratio: 1.482
>> 4 Stars is the most common rating in Klassic Note 2025.
>> Song Integrity Survey reveals a dip in 4B rating (above average) but is compensated by more 5-star rating overall.
>> Song Integrity Survey reveals a dip in 4B rating (above average) but is compensated by more 5-star rating overall.
| Language | English | Japanese | All |
|---|---|---|---|
| Songs (%) | 3.88% | 96.12% | 232 Songs |
>> Japanese is the most popular language in songs of 2025.
| Year of Release | 2005-2021 | 2022 | 2023 | 2024 | 2025 | All |
|---|---|---|---|---|---|---|
| Songs (%) | 4.31% | 1.29% | 0.43% | 7.76% | 86.21% | 232 Tracks |
>> 2025 is the most common year of release in songs of 2025.
| Song Type | Anime Theme Songs | Character/Insert Songs |
|---|---|---|
| Songs (%) | 0.86% | 3.02% |
>> Anime songs are 3.88% of 2025 songs, mostly on character songs.
| Total Singles Released 2025 | 87 | ||
|---|---|---|---|
| Total Tracks | 1 | 2 | 3 or more |
| Singles | 40 | 21 | 26 |
| Total Considered in List | 5 | 17 | |
>> 22 out of 47 singles in 2025 are considered besides A-side.
>> 6 of all singles released are in Klassic Note Review 2025.
>> 6 of all singles released are in Klassic Note Review 2025.
>> Average Monthly Growth: 19.33
>> Top Active Months: Jan (+25), Jun (+29)
>> Top Active Months: Jan (+25), Jun (+29)
歌の一日 Song of The Day
Every day is unique as it is special; Songs that surface in our minds will set us in a mood and drive our everyday lives. From waking up to going to work, arriving home and going to sleep, there's always a different melody that will pop up in my mind from listening to the huge amount of songs within and in past years. I would confidently say that my mood for the year could be summarized with the songs I'm listening to every single day.
And that's why we have a tie this year so congrats Polkadot Stingray and TOMOO for the most memorable Songs of the Year in 2025!!
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The first two tables below show what are the most popular songs I've listened for the year and for each month. The last two tables show the most popular songs to wake up and sleep to to give a different perspective as to how they potentially can feel if you start and end the day with maybe. Criteria are subject to conditions in sleeping habits, mood, and mostly due to songs I've listened recently during certain times of the day.
Starting from 2019, Song of The Day has been transformed into a rank-based system, where every mention pushes you up one rank so that rank sharing will make sense. The results shouldn't show much of a difference though, but it will more accurately reflect on the position of songs within.
Starting from 2025, multiple Songs of The Day have been reintroduced ever since the start of the Song Awards 15 years ago, defining vital points of the day where if criteria are met (eg. without listening to songs, songs will appear in one's mind), they are worthy of record.
TOP SONGS OF THE YEAR 2025
| Rank | Artist - Song Title |
|---|---|
| 10 | Polkadot Stingray - Ano ne. |
| Ogura Yui - Kyon Kyon Love Potion | |
| TOMOO - LUCKY | |
| 9 | Furui Riho - Hello |
| 8 | Asakura Momo - Meikyu Love Me |
| 7 | eill - ACTION |
| Furui Riho - Chanto | |
| TOMOO - Contrast | |
| Chilli Beans. - that's all I can do | |
| 6 | spira.spica - Ao to Kirameki |
| GENIC - ENDER | |
| FANTASTICS from EXILE TRIBE - POP LIFE | |
| Macaroni Enpitsu - Saraba | |
| TrySail - Sonna Bokura no Boukentan! | |
| Ryokuoushoku Shakai - illusion |
TOP SONGS OF EACH MONTH
| 2025 | Artist - Song Title | Rank |
|---|---|---|
| Jan | TOMOO - Contrast | 3 |
| Retroriron - Headliner | ||
| Feb | Polkadot Stingray - Ano ne. | 5 |
| Mar | Asakura Momo - Fragaria x Ananassa | 4 |
| Apr | Aoyama Sachiko - Kagayaki no Toriko | 3 |
| May | Ryokuoushoku Shakai - Aurora wo Sagashi ni | 3 |
| Jun | Kitou Akari - With a Wish | 3 |
| Jul | TOMOO - LUCKY | 7 |
| Aug | Furui Riho - Chanto | 4 |
| Sep | spira.spica - Ao to Kirameki | 3 |
| Tsuzuri Zukuri - Plumeria | ||
| Oct | Ogura Yui - Kyon Kyon Love Potion | 6 |
| Nov | eill - ACTION | 4 |
| Dec | FANTASTICS from EXILE TRIBE - POP LIFE | 4 |
TOP SONGS TO START THE DAY
| Rank | Artist - Song Title |
|---|---|
| 8 | Polkadot Stingray - Ano ne. |
| 6 | Macaroni Enpitsu - Saraba |
| Minase Inori - Turqoise | |
| 5 | eill - ACTION |
| spira.spica - Ao to Kirameki | |
| Ryokuoushoku Shakai - Aurora wo Sagashi ni | |
| Asakura Momo - Boku no Kanojo (Kari) | |
| TOMOO - Contrast | |
| Furui Riho - Hello | |
| Asakura Momo - Meikyu Love Me |
TOP SONGS TO END THE DAY
| Rank | Artist - Song Title |
|---|---|
| 6 | Ogura Yui - Kyon Kyon Love Potion |
| TOMOO - LUCKY | |
| 4 | Furui Riho - Chanto |
| Asakura Momo - Fragaria x Ananassa | |
| Furui Riho - Hello | |
| 3 | GENIC - ENDER |
| No Buses - Inaho | |
| Aoyama Sachiko - Kagayaki no Toriko | |
| Asakura Momo - Meikyu Love Me | |
| FANTASTICS from EXILE TRIBE - POP LIFE | |
| w.o.d. - TOKYO CALLING | |
| Kitou Akari - With a Wish | |
| Yoru no Honki Dance - dada! | |
| Chilli Beans. - that's all I can do |
リリース上位 Single & Album Rankings
Klassic Note may be all about the songs, but what is with songs if they aren't released in some form? I say that though, but with the rise of digital singles and how music is distributed more often through digital platforms in smaller doses instead of coming up with physical releases, it's always in my comfort to listen to albums every once in a while then be committed to their constant promotions. Many releases performed better than ever as I spend more time with them this year, and I continue to give more songs beyond the one or two title songs with a music video, sometimes even without. Many artists are going for more than one good album in the year with the world opening up, and we do see this year some are adding a couple of singles and/or new songs from time to time within the year. Regardless of their approach, I will still give them due attention as long as I know of them. Limited Edition Only singles are great but sadly does not meet my requirement of Review, but I will still talk put them in just because they are worthy of mention.
Congratulations to Furui Riho's single "Hello" and TrySail's 10th anniversary best album for winning top releases for Klassic Note 2025!!
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In Klassic Note, top singles are determined by (1) whether they are in Klassic Note Review ie. all songs of the single have been given and is not digital only release and (2) how good they fare in impression, so ratings come to place. Details for giving these singles shall not be discussed further since there is The Klassic Note Review for your reference. Top albums are determined mostly by how many songs have been given in it, so best album have a natural advantage if I've been listening to the artist for years, and mini-albums tend to get an edge on these due to low song count too but they have been put lower in priority to allow full length albums to shine.
From Klassic Note 2025, I will also annotate special features of these releases (Limited Edition Only, Digital Only) in order to better represent their prominence in the ranks, and that smaller releases in albums, for example, will get smaller priority over full album which require more effort (subject to the amount of new songs added) so the latter will be considered first.
Top 10 Singles
| Rank | Recipient |
|---|---|
| 1 | Furui Riho - Hello |
| 2 | Asakura Momo - Meikyu Love Me |
| 3 | TrySail - Sonna Bokura no Boukentan! |
| 4 | Asakura Momo - Fragaria x Ananassa |
| 5 | Ushio Reira - Hare no Hi ni |
| 6 | Porno Graffitti - THE REVO |
| 7 | PiKi - Kawaii Kaiwai |
| 8 | eill - ACTION |
| 9 | SID - Dark side |
| 10 | SIX LOUNGE - Sansan |
Top 10 Albums
| Rank | Recipient |
|---|---|
| 1 | TrySail - BestSail |
| 2 | No Buses - NB2 |
| 3 | Tsuji Shion - SUCKER PUNCH! |
| 4 | Kitou Akari - Journey |
| 5 | fuzzy knot - fuzzy knot II |
| 6 | Ogura Yui - Labo-Ratory |
| 7 | Minase Inori - Travel Record |
| 8 | Ikimonogakari - Asobi |
| 9 | otoha - LAST PLANET |
| 10 | cinema staff - PLASTIC YOUTH |
表彰 Commendations
In Klassic Note there are Awards; And then, there are Commendations. Commendations are thing that are worth mentioning but not necessarily in competition since it can be unique in circumstance. That, or I want to credit them as many of them as possible and it doesn't exactly qualify as a regular award. Many listed may be repeats, but this is the place where I give proper recognition to certain things that stood out among the others.
Thanks to Murder by Death for coming back with one last hurrah, eill for absolute impressive music videos to remember and then more from the past few years from her EP released this year. I'm in addition, also welcoming back UNLIMITS and Yogee New Waves with open arms, which I hope will translate to them releasing more new and great songs.
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Commendations are generally given to topics which stand out on their own with unique features (eg. terrible English, same song title) known as Song Commendations, releases that I reviewed and/or are outstanding known as Release Commendations, artists which may or may not be singing this year also known as Artist Commendations, and honours for (promotional) music videos which excelled in impressions also known as Video Commendations.
Instead of giving them as awards, Klassic Note here compliments videos which stand out better than their music, sometimes better than not, in order to give better representation and thus impression to their audio listeners. And so, I commend and also criticise (a bit) on those, as you can see below too. Many of the music videos can be found online too, so be sure to check those out for yourself. I'll post the links to get you started.
| Title | Recipient |
|---|---|
| "The Artist (Non-Japanese)" | Murder by Death |
| "English Can Be Better" | No Buses |
| "The Comeback" | UNLIMITS |
| Yogee New Waves | |
| "Single Order" | TrySail - Sonna Bokura no Boukentan! |
| Asakura Momo - Fragaria x Ananassa | |
| halca - Weekend Roll | |
| miwa - Little Girl | |
| Asakura Momo - Meikyu Love Me | |
| Furui Riho - Hello | |
| "Lasting Tune" | Kitou Akari - Canvas (2024) |
| ClariS x TrySail - Orgel (2022) | |
| Rie fu - With You (2024) | |
| Sangatsu no Phantasia - Ai no Fukashigi (2024) | |
| wacci - Ai wa Kusuri (2024) | |
| Creepy Nuts - Bling-Bang-Bang-Born (2024) | |
| Natsukawa Shiina - Bluff 2 (2023) | |
| Nisshoku Natsuko - Danzare (2024) | |
| amazarashi - Inochi ni Fusawashii (2017) | |
| ClariS - Kaze wa Akiiro (2024) | |
| Asakura Momo - Sweet Essence (2024) | |
| No Buses - Them Us You Me (2024) | |
| GLIM SPANKY - Tiny Bird (2019) | |
| Scenarioart - Towa no Machi (2015) | |
| Homecomings - slowboat (2024) | |
| "Exotic Style Subjugation" | Shishiro Botan - Simulacre |
| "Same Name" | Ryokuoushoku Shakai - illusion FERN PLANET - Illusion |
| "PV of the Year" | eill - ACTION |
| "Awesome PV" | yama - Shizuku (feat. indigo la End) |
| "Impressive PV" | wacci - Kanojo Janaku Naru no ni |
| "Fanservice PV" | Ogura Yui - Kyon Kyon Love Potion |
| Asakura Momo - Lemon Candy | |
| "Great PV" | Marcy - Kimi Chuushin ni Yureru Sekai wa |
| "Quirky PV" | TOMOO - LUCKY |
| "Neglected PV" | SCANDAL - Terra Boy |
| "Plain Boring PV" | Kitou Akari - With a Wish |
| "Best Anime Theme Production" | spira.spica - Ao to Kirameki [Anime "Sono Bisque Doll wa Koi wo Suru Season 2" Opening] |
賞 Awards
One of the most important things that built the foundation of this Song Awards are of course, the Awards themselves. They have also been historically the toughest to decide every year apart from the Top 20 itself, which shows how much thought is put into figuring out the distinct feels of all the songs I give for the year, and how important they are compared to all of the others above. As with previous years, it has always been a challenge to get the right songs to fit the Awards and what they should represent, and as much as I try I still hardly feel for some of these songs which are worthy of their titles, especially pertaining to certain emotions and moods. Regardless, I have made my decision, so here are the results.
Congratulations to otoha for THE ARTIST and THE CONTRIBUTOR awards with an absolutely awesome performance for the year, producing two EPs and their first full album, striking impact with every release. This was also how I guessed they won the Anime audience while taking THE INSPIRATION award from my song list. I will also give special mention to THE EMOTIONAL award just because apart from yama's emo tune from their album, I also felt the agony from Anime movie "Look Back" that I could not walk away not giving haruka nakamura a mention on their soundtrack. THE ANISON is also a much contested award this year due to an influx of Anime having character songs, and I must say the "Hyakkano" Anime win is much deserved even though it has as many opportunities to win my heart as they have girls in that series.
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The Award titles mean exactly unless stated otherwise, which are as follows:
- THE CHARASON represents all songs from the Anime and Game genres so to give more songs recognition on how good and/or diverse they are (CV refers to "Character Voice" ie. the actual voice actor behind the role)
- THE IDOLISM awards idol songs (sung by voice actress who became solo artists mostly) which have been on the rise and the award goes to the one with judgement possible to be independent of usual criteria eg. melody, music style
- THE INSPIRATIONAL awards songs which spark motivation and/or creativity for me, encouraging and pushing me along in life
- THE NUMBER ONE SONG OF THE YEAR is based on SONG OF THE DAY results, and the Award is presented to the best here
- THE SINGLE and THE ALBUM are based on RELEASE RANKINGS, and the award is presented to the best of each category here
The nominees are excluded from the list due to presentation space constraints.
| Title | Recipient |
|---|---|
| THE ARTIST 2025 (JAPANESE CATEGORY) | otoha |
| THE NEWCOMER 2025 | MONO NO AWARE |
| THE CONTRIBUTOR 2025 | otoha |
| THE CHARASON 2025 | Hanazono Hakari (CV: Hondo Kaede) - Love Love Mousou Parade |
| THE IDOLISM 2025 | Ogura Yui - Kyon Kyon Love Potion |
| THE EMOTIONAL 2025 | haruka nakamura, urara - Light song yama - Shizuku (feat. indigo la End) |
| THE ROMANTIC 2025 | Higuchi Ai - Moshimo Mou Ichido Koi wo Suru no Nara |
| THE LIVELY 2025 | w.o.d. - TOKYO CALLING |
| THE INSPIRATION 2025 | otoha - no man's world |
| THE LONGEST 2025 | DYGL -Who's In My House |
| THE SHORTEST 2025 | Tsuji Shio - Onomatope LOVER |
| THE MUSIC 2025 | [No winner] |
| THE NUMBER ONE SONG OF 2025 | Polkadot Stingray - Ano ne. TOMOO - LUCKY |
| THE ALBUM 2025 | TrySail - BestSail |
| THE SINGLE 2025 | Furui Riho - Hello |
20曲上位 The Top 20
Last but not least, we have the song rankings. Every year, I try my best to showcase Klassic Note in the most diverse way possible, hopefully with a good balance of what I truly love and representation of what the year means for Klassic Note in 2025. And in these songs I recommend, many have left an impression, some I cannot miss putting them in just because, and others I think they are genuinely worth a mention. It was hard to come up with the list as with ever year, as there have been many dramatic changes to when I initially thought of this, but now that the results are out, I'm not going to think too much into it and hope this is adequate to show what Klassic Note 2025 is after a year in the making.
Congratulations to Furui Riho for taking the top spot this year!! The song for Anime was truly inspirational and right on beat even with its own mood let alone the happy-go-lucky mood of the show, though I would argue they are going against many other contenders who also deserved the spot, so let's just say this is the vibe I'm in right now, and they can stay while this vibe lasts.
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In Klassic Note, The Top 20 will include certain conflicts in rank number as some of the songs have to share the same rank due to my lack of criteria to differentiate between them, but is also a ingenious method to show certain trends or similarity within topics and time frames, to a smaller extent. So do not be surprised to see up to 25 songs every year on this supposedly "Top 20" list depending on my preferences.
Below is an audio preview with timestamps of The Top 20 of Klassic Note 2025, for your listening pleasure. (Tip: Click on any row on the table above to skip to that track!)
Here are my thoughts about this year's Top 20 as elaborated from above, in a nutshell:
- The Top 5 songs were essentially decided beforehand mostly because of their long term impression throughout different parts of the year, so they already deserve mention despite having better candidates below them. Among them though, I did consider letting eill take the top spot mainly because of its strong first impression, but decided against it since I'm not too much of a fan of her rapping, and am more towards more down-to-Earth melodies which is honestly what Klassic Note has always been about.
- The biggest issues this year were dealing with the middles rankings so around Rank 10. I wanted to give Otonose Kanade some mention for being outstanding among the VTuber songs I've heard in the middle of the year, so that was where all the other songs were judged with respect to, to be honest.
- Regulars did not perform so well and might be worse than last year, so they had to be brought down, from RyokuShaka and Chilli Beans. to even Polkadot Stingray, if I were to be frank about their album. This is though compensated for the increasing amount of new artists I picked up with the Anime theme songs they sung in, so Ushio Reira and Macaroni Enpitsu ended up getting a mention along with TOMOO.
- This year's idolism bracket went to what I regard this year as the best love songs of the year, though I would argue Ogura Yui would deserve a mention at this point, but I didn't include her since I don't think I'm convinced by her pop tunes also seeing her concept mini-album. Kitou Akari's title song in their album was worth more than a mention though, so she deserved a higher spot in the rankings.
- Another area of concern was what I referred to the romance bracket, with wacci singing a love song I did not hesitate to give and that is in a while even since their album earlier in the year, and the only song I picked up from listening to Higuchi Ai's new album a few months ago. The singing of heartbreak or even coming back to love is definitely a strong theme among these two, as also show on their music videos too, so be sure to experience their emotions as what I have also done so to go as far as putting them in this list.
And that is all for Klassic Note this year; I hope you enjoyed looking through these results, giving some of them as listen, and enjoyed as much as I did. If you were here to give yourself a chance and listen to the above snippet of what I've listened to in 2025, you're welcome for the glimpse into my music listening experience for the year. If you have given any of them a listen afterwards - even just one of them - it will make me happy. The legacy of Klassic Note has shifted once again and with the world changing in perspective and how they make song, I'm still happy to be able to share my thoughts about music every year even if it isn't much considering who I am with respect to what the world listens to.. With this, I conclude my recognition for artists, releases and songs for the year while I take a break before I continue my journey in the new year.
I will see you again and have a happy new year! And I will ever, as I have always been I will be "Searching For The New Classic".
- Aozaki Shouhei, on the Klassic Note
DISCLAIMER
# All content and results are subject to personal opinion, and please do not, in any other manner, attempt to copy or adapt it in any other purpose whatsoever. All data shall stay in this webpage and shall not be published, edited or shared anywhere else in this World Wide Web. If necessary, permissions are not required but all sharing must be linked and/or credited to this page. All audio in preview are copyright (c) respective owners.


